still,life
Poster, NFC Card set
2023
'still, life' is a set of nine cards that connects real and virtual life. The set consists of unfolded 3D scanned objects and still life. Pairing this set with a mobile device opens up a new dimension. Real-world objects are transformed into three-dimensional still life on the screen, with each card displayed to be viewed from a specific angle without texture, creating a unique experience that can only be had on a digital screen.
SPECIAL OCCASIONS
S/O STOCK
Web, Publication, Video
2024
"SPECIAL OCCASIONS" captures the unique imperfection of technology and how they shape our perception of reality. The most cliché scene of a family of four dining together is depicted as a special occasion in this idealized reality generated by AI. In a world filled with surreal images, this work focuses on creating the most ordinary and realistic images as represented by technology and then tweaking them through the perspective of AI. This approach lallows us to feel a range of emotions, from warm memories to alienation, as technology tries to accurately depict human society.
https://doh2ht.github.io/SO-STOCK/
Alt barrier 2021: voice-over-text
Web, Stamp Set
2021
"Alt barrier 2021: voice-over-text" is a visual representation of lethargy experienced in the process of datafication of messages in our society. Texts encountered in the street are deeply infused in our lives in which we support the words and process as we understand their desperation. Also, witnessing their voice being buried in oblivion by a centralized power causes a feeling of helplessness. I experience an identical emotion aroused from the messages replaced with alt text by artificial intelligence that is ignorant of the meaning further beyond the picture.
https://doh2ht.github.io/altbarrier2021/
Circle or Curtain
Web
2023
The 'Curtain or Circle' serves as a gate delineating the border between the screen and reality. The juxtaposition of 'curtain' and 'circle' prompts viewers to consider the technical reality of on-screen images and how the screen shapes their perception. Positioned between the unreal and the real, the paradise images on the curtain respond to user movements, immersing them in the screen's illusion while also prompting reflection on the portrayed interaction. With an interplay between the digital and the physical, it invites users to immerse themselves in a paradisiacal oceanic environment with just the touch of a button, a tranquil beach at sunset where waves gently lap against the shore.
JAG FIG
Web, Publication
2021
"JAG FIG" archives the figures generated by applying the 2x2 square module rule to the Jaggies, a morphological characteristic that appears in rasterized images. Image narratives derived from the words Jag and Fig experiment with the difference in texture according to the bit that forms the raster image through data conversions such as zoom in-out, overlap, and color.
https://doh2ht.github.io/jagfig/home.html
ZOOM PARADISE
Web, Poster
2021
"ZOOM PARADISE" creates a new paradise space by recombining separated backgrounds and objects. Users experience a new unreal space through the combination of randomly generated objects and backgrounds. Zoom's virtual background reveals a new space while hiding information exposed in the background surrounding the object. The image of paradise space constantly makes us realize that this is not reality. Nevertheless, we do not have much doubt that the virtual background is not real. Paradise in the virtual background is a space outside of reality and coexists with reality, and we are adapting to communication based on this unreality.
labeled noise
Installation, Web, Publication
2019
The way artificial intelligence reads images is not yet complete, and it creates a strange sense of confusion because there is a difference from the way humans think. “labeled noise” is a visual research that defines noise, an imperfect thinking process of artificial intelligence, and archiving the the result of image recognition. The new search term classifies the image as noise while also becoming the new label for the image. As the same image is interpreted as a completely different label, we question which one should be labeled on the image. Depending on the number of operations of the image iteration, the message is distorted, regardless of its intention. When the search term is derived from the apple to the apple again and delivered without distortion of meaning, no noise exists, and a new label is generated only when noise exists.